Hi everyone! Here’s a how to draw tutorial on mesomorph and ectomophic body types, focusing on arms in particular. These body types go along with the endomorphic body type covered in the last how to draw tutorial. The mesomorphic body type is generally associated with more muscular characters, though mesomorphs do not necessarily have to be muscular. Their bodies are compact and curvy, with muscle hanging well on their bodies. When learning how to draw the male version of these types of characters, imagine the football players and boxers of the world. For female characters, they are very curvy. When they become emaciated, you can still see the muscles stubbornly clinging on to the bones, which can be difficult to learn how to draw. When they are more chubby, their bodies are a synthesis of muscle and fat.

The other body type to learn how to draw is the ectomorph, which is most commonly defined as a tall and frail individual. These characters are typically all skin and bones. As these characters become more emaciated, the bones can actually start to seem visible. If the character attempts to put weight on, they typically end up with larger guts while the rest of the body continues to appear slim. These characters have a difficulty developing a lot of muscle and often appear more toned than muscular. These characters would be great on the basketball team if they are tall enough.

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Though not set in stone, the body classification system puts the human body in three categories: endomorph, mesomorph and ectomorph. If you want to master diversity early on when learning how to draw, practice drawing these body types equally. These characters have bodies that tend to be round, with often a slow metabolism and a large body fat ratio. However, the body mass of the character is the same as any other type, being dependant on calorie intake. These characters can have a very round appearance while having a relatively thin body. Given the fact that fat settles on different parts of the body for different characters, this can be a difficult body type to learn how to draw.

The traits common of endomorphs are:

  • Round body
  • Larger gut
  • Smaller hands

However, many famous individuals have had endomorphic body types, such as Marilyn Monroe.

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I know… I didn’t draw their feet. I really hate drawing feet. I’m not too good at it and I never know what angle to draw the feet at. Maybe eventually I’ll learn how to draw them.

I still need to name the character on the left. Maybe I’ll do that right now. Um… Pan… Pangan… Panganiban! Gani for short. He’s a character I kept envisioning in my head but I couldn’t get him from my mind to the screen until now. Does he look how I envisioned him now? Who cares?

I’m starting to feel restless about the ratios and after I finish the next how to draw guide, time to master the anatomy of the limbs, folds, shading and fine itty-gritty details. For now, let’s finish the tutorials on how to draw different ratios. Click to read more …

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Good afternoon! Marisol here with a Photoshop tutorial. Hooray!

Since summer vacation began, I’ve had the opportunity to draw more and experiment with new Photoshop brushes. Previously, I shared some of the drawings I did using some of these new brushes, but those images were on a smaller scale, so it may have been difficult to see the effects. As mentioned before, one of my favorite brushes is the downloadable skin texture brush, simply because the brushes make skin appear more porous, eliminating the smooth airbrushed look that Photoshopped skin usually has. Here’s how to draw textured skin using skin texture brushes. Click to read more …

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Hello everyone! Marisol reporting in.

I haven’t been posting how to draw tutorials lately, and I apologize. As many readers must know, once warmer weather approaches, as does yard work. I’ve been busy planting flowers, weeding, and cutting grass, so time to myself is very rare. Besides yard work, I’ve been working really hard writing articles for other websites, and I’ve been busy with research for the Milton course Alex and I are taking this summer for graduate school.

Speaking of school, the head of the English department contacted me this morning and informed me that I should be considering the beginning aspects of my thesis if I plan on graduating very soon. Nyah? Already?! I have to choose an overseer this week, and that professor and I need to sit down and create an outline for my thesis. Frankly, I’m not ready yet. Simply put, I don’t have a concrete topic yet. Furthermore, I’m terrified! I’ve been having a panic attack today and trying to contact Alex to talk me down, but he’s difficult to get a hold of because his phone is always OFF! I always hope I never need him to save my life, because if I did, I’d be dead before he’d even know I called him. Seriously, trying to contact him is that bad.

During my hiatus, I’ve developed several projects and how to draw tutorials that I am going to post on Sketching House, however, I seem to have several problems. Click to read more …

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Alright, on to the 1:6 ratio character. Hopefully this guide can be finished in one sitting. I have a few hours to write this how to draw tutorial. Alright! Let’s go!

To keep this all from getting boring, I’m shifting from a realistic cartoon style back to the manga style. I decided to draw my first faerie ever. I was thinking about what faeries usually represent to me when trying to figure out how to draw my new character.. My associations with faeries are: magic, sensuality, nature, childlikeness and cheerfulness. Most faeries I can think of are rather cheerful Tinkerbell-style pixies or the fuller, more sensual sylph type faeries. I went for the former in this case. I bought How To Draw Manga: Ultimate Manga Lessons Volume 6: Striking The Right Note. The book is basically on how different features and physical characteristics can be used to depict certain personality types. I wanted the character to be cheerful, so I followed the book and separated her bangs down the middle, which is supposed to make characters appear cheerful in manga.

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Now that we’ve gotten through the tricky process of learning how to draw a face, we’ll dive right into how to draw the body and add some color to this individual’s life.

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Many artists, when first learning how to draw, use head to body radios in order to determine how tall they will be making their character be. The chibi style uses a ratio of 1:2, 1:3, or 1:4. That means that a character with a ratio of 1:3 will have a body that is three heads long. To determine how tall the character will be, all the artist has to do is determine the approximate size of the head and then create a circle, which should be duplicated and stacked, one on top of the other. Then you just have to figure out how to draw the rest.

For this how to draw guide, I will use the 1:5 ratio. This is not a good ratio for drawing chibi but rather for drawing an adolescent or short adult. The following character will be drawn.

After that, I’ll be covering how all the other different ratios can be used. Of course, she doesn’t exactly have a 1:5 ratio, but when I originally drew her with a perfect 1:5 ratio, she looked really weird.

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I really need to post more. I should be practicing more and posting how to draw tutorials more often for Sketching House. Darn my ADD. I don’t have too much work to do, but every morning there are too many things to get distracted by. But I think I’m getting better at my discipline.

This time I will be focusing on how to draw a character sitting cross-legged or the Indian style. There are a lot of ways that people sit, but this is one of the more common ways that people sit when they don’t have a chair to sit in.

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Tonight, I started writing about Photoshop brushes and the different types there are, as well as some the techniques you could use while drawing with those brushes. Then, I suddenly realized that talking about Photoshop brushes isn’t as important as other things in life.

For once, I actually realized my own mortality tonight.

It’s really hard to articulate what I am truly feeling right now, especially since the feelings came suddenly. As many of you know, I post on a soap opera forum, and according to my profile, I’ve been posting there since June 12, 2008. For some reason, I don’t remember posting that long, but that is besides the point. Throughout my time on the forum, I have met several great people who I am honored to call “friends.” Each person has his/her own quirks, obsessions, and stories, and I find it great that many of the people are willing to share their life struggles. Many of the women I’ve talked to are cancer survivors or are trying to beat the disease right now. At first, I would read their stories and comment with kind words, meaning every bit of encouragement I offered. For awhile, some of these women were just words and a screen name, but the more I talked to them and saw the people beneath the text, I realized how real each person was. For me, their words became words of wisdom; words to ponder. One lady who’ve I’ve spoken to the past few weeks has really caught my attention. To me, she seems so strong and courageous, even when the stakes are down. I admire how she uses humor and her good nature to explain her feelings and her pain, and I’ve come to look forward to posting with her. However, while taking a shower tonight, my thoughts wandered to the soap opera board and my heart suddenly ached and tears fell from my eyes like a sweeping shower. The possibility of “what if she’s no longer here” crossed my mind and I felt so sad for her, her family, and all of us who have grown to love her. I hate that line of thinking– what if– but it crashed upon me so hard that I couldn’t help but feel anguish for thinking that way and for wondering that. I felt a huge void, one I haven’t felt since my sister passed away fourteen years ago. Except, the difference between now and fourteen years ago is that now, I realize the importance of life and how short life really is. Click to read more …

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